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EMI, which stood for Electric And Musical Industries, was created when the Gramophone Company merged with its competitor, the Columbia Graphophone Company in 1931, the year that EMI’s fabled Abbey Road Studios first opened its doors.

To many, the sale of EMI is just another takeover in the music industry but to those of us who worked for the company for any length of time, it’s a sad page in the story of the history of once major player in the record industry.

To the left of this article, the 1963 poster (one of the countless promotional aids which were sent to record dealers for in-store display) shows how regularly successful the company was in those days.

All the singles listed there are releases of British product along with one by Ray Charles whose ABC-Paramount recordings were licensed to EMI outside the US.

Bert’s version made the UK chart but was beaten out two years later by a cover version recorded by Cliff Richard’s group The Shadows, namely Hank Marvin, Bruce Welch, Jet Harris & Tony Meehan.

In 1960, Bert cut a tune written by a young singer-songwriter called Jerry Lordan and titled “Apache”.Julie was a British singer who never hit the big time though she garnered some attention in 1961 with her cover of an American song by Philip Springer and Jonas Schroeder with the ridiculously long title “Green With Envy Purple With Passion White With Anger Scarlet With Fever What Were You Doin’ In His Arms Last Night Blues”!Here are links to You Tube postings containing audio of APACHE by Bert Weedon ( QX5DXsp3e4), WONDERFUL LAND by The Shadows ( Cj_429Ft I) and WHO COULD BE BLUER by Jerry Lordan ( L3qlhh Dk) Here’s a Hollywood landmark that has gone through various changes during its storied lifetime.I was lucky enough to be employed at the company’s Manchester Square head office between 19, a period during which British EMI was not only home to such local superstar talents as The Beatles and Cliff Richard but it was also at the forefront of the exploding singles market and the beginning of the independent producer movement.Whereas The Beatles and Cliff were produced by in-house A&R men, many hits came from outside producers such as Mickie Most (whose artists included The Animals and Herman’s Hermits) and Giorgio Gomelsky (The Yardbirds).




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